{"id":88115,"date":"2023-11-25T18:45:03","date_gmt":"2023-11-25T18:45:03","guid":{"rendered":"https:\/\/celebritytidings.com\/?p=88115"},"modified":"2023-11-25T18:45:03","modified_gmt":"2023-11-25T18:45:03","slug":"experts-reveal-17th-century-portrait-had-lips-made-fuller-years-later","status":"publish","type":"post","link":"https:\/\/celebritytidings.com\/world-news\/experts-reveal-17th-century-portrait-had-lips-made-fuller-years-later\/","title":{"rendered":"Experts reveal 17th century portrait had lips made fuller years later"},"content":{"rendered":"
Kylie Jenner’s penchant for her famously full pout might seem like a very modern phenomenon.<\/p>\n
She is regularly seen on Instagram showing off her luscious lips to the world.<\/p>\n
But conservators at English Heritage have discovered that the reality star’s facial features are by no means anything new.<\/p>\n
Experts who were restoring a painting of Jacobean beauty Diana Cecil found that her lips had been made fuller and her hair given more depth by a mystery restorer years later.<\/p>\n
Cecil, who was one of the great beauties of the early 17th century, was the great-granddaughter of William Cecil, one of Queen Elizabeth I’s closest advisors.<\/p>\n
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Experts who were restoring a painting of Jacobean beauty Diana Cecil found that her lips had been made fuller and her hair given more depth by a mystery restorer<\/p>\n
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Kylie Jenner ‘s penchant for her famously full pout might seem like a very modern phenomenon. She is regularly seen on Instagram showing off her luscious lips to the world<\/p>\n
Her newly-restored portrait is going on display next week at neo-classical\u00a0 Kenwood House in North London\u00a0\u00a0<\/p>\n
The painting was damaged significantly when it was rolled widthways, which may have resulted in the need for a touch-up.<\/p>\n
But the experts were left baffled by the overpainting of Cecil’s lips and hair.<\/p>\n
Conservators have also removed layers of yellowing varnish to reveal Cecil’s natural colour. She was aged 31 when the depiction was produced.\u00a0<\/p>\n
During the restoration, the date of the portrait along with the signature of the artist – Cornelius Johnson – was found in the corner.\u00a0<\/p>\n
It was originally thought to have been painted in 1638 but the actual date was 1634.\u00a0<\/p>\n
Cecil’s choice of attire – including a silk dress, the red ribbon across the front of her bodice and the red rose on her breast – was the height of fashion at the time.\u00a0<\/p>\n
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English Heritage’s paintings expert Alice Tate-Harte finishes conserving a painting of 17th-century noblewoman, Diana Cecil<\/p>\n
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The painting is going back on display at Kenwood House in North London from next week<\/p>\n
Alice Tate-Harte, collections conservator at English Heritage, said: ‘As a paintings conservator I am often amazed by the vivid and rich colours that reveal themselves as I remove old, yellowing varnish from portraits, but finding out Diana’s features had been changed so much was certainly a surprise!\u00a0<\/p>\n
‘While the original reason for overpainting could have been to cover damage from the portrait being rolled, the restorer certainly added their own preferences to “sweeten” her face.\u00a0<\/p>\n
‘I hope I’ve done Diana justice by removing those additions and presenting her natural face to the world.’\u00a0<\/p>\n
The 1634 portrait is one of two of Cecil that are displayed at Kenwood. The other was painted by artist William Larkin when she was 15.\u00a0<\/p>\n
Both paintings are part of the Suffolk Collection, which was gathered over the course of 400 years by the Earls of Sussex and Berkshire.\u00a0<\/p>\n
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The painting is part of the Suffolk Collection, which was gathered over the course of 400 years by the Earls of Sussex and Berkshire<\/p>\n
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During the restoration, the date of the portrait along with the signature of the artist – Cornelius Johnson – was found in the corner. It was originally thought to have been painted in 1638 but the actual date was 1634<\/p>\n
It was give to the nation in 1974 in the will of Margaret ‘Daisy’ Howard, the 19th Countess of Suffolk.\u00a0\u00a0<\/p>\n
Cecil was from a powerful noble family. Her first husband was Henry de Vere, 18th Earl of Oxford.\u00a0<\/p>\n
He died siege of Breda just a year after their 1624 wedding.\u00a0<\/p>\n
Cecil went on to marry Lord Thomas Bruce, who later became the 1st Earl of Elgin.\u00a0\u00a0<\/p>\n
Cecil’s sister Elizabeth married Thomas Howard, the 1st Earl of Berkshire.<\/p>\n
The newly conserved painting of Diana Cecil will go on display next to a portrait of her husband Thomas Bruce, the 1st Earl of Elgin \u2013 at Kenwood, a free site, on Thursday, November 30.<\/span><\/p>\n